F. Walker - Art through the eyes of children: Enhancing children’s museum experience   

D. Barusevičius - On Relational Memory through Counting Objects and Milieu 

L. Vandelanotte, B. Dancygier - Embodied emotion and interaction in a multimodal genre: The case of stance expression in internet memes 

R. Kemp - The Situational Self: using somatosensory training, proprioception and kinesthesia as tools to transform the actor’s sense of self 

C. Penna - Co(g)scenography- more-than-material tools of performance design 

M. Murphy - Distributing Cognition for Devised Performance 

J. Arp-Dunham - To Hold or Not to Hold: The Question of How a Script becomes Action in the Actor’s Body 

A. M. Abrantes - Comics as a cognitive tool for cultural memory A reading of Nora Krug’s Heimat. Ein deutsches Familienalbum

I. Jaén Portillo - Film as a Tool for Empathy: Body to World 

V. Grispo - Literature and the writing process as tolls for Self-healing: The Shaking Woman or a History of my Nerves by Siri Hustvedt

J. Simon - Amplifying Empathy Through Animated Narratives: The Undocumented Experience in Home Is Somewhere Else (2022) 

L. Mojica - The concrete life of artifacts: Enactive environments beyond immediate action 

J. Condemi, C. Ferrigno - Between empowerment and human enhancement: the Neuralink case 

P. Mantello - Environments of Actuation: Subjectivity in the Age of Neurosomatic Technology 

S. Vasta - Tools, language and music in the evolution of the human brain 

I. Roth - The cognitive tools of aphantasic visual artists

L. Ieni - How Artistic Representations can generate Fear in the Viewer. 

M. Trybulec, H. Greif - Making sense of non-representational cognitive artifacts 

M. Pace - Fabrics of interaction: art-based inquiry for cognition 

M. van Calcar - Sailing with a speedometer: a case study of tools that teach 

M. Prokop - Sensorimotor Norms and Social Norms in the Context of Motor and Craft Skill 

A. Re, G. Città, M. Gentile, C. Tosto, S. Perna - The impact of technological artifacts on cognition and learning 

M. Pérez-Verdugo, X. E. Barandiaran - The equilibration of technical objects: exploring normative layers of technological use 

K. Kukkonen - Stacked Ecologies on the Beach 

T. Eder - Ideomotor theory, predictive processing and literature: Reading Franz Kafka 

F. Ferrara - Visualizing the Imaginary of the Strait of Messina: Cognitive Processes and Symbolic Aspects in the Novel Horcynus Orca 

R. Herbert - Alternate worlds: Multisensory participatory arts initiatives, situated cognition and consciousness 

J. Walduck, R. Herbert - Arts-based Practices, Modes of Performativity and Embodied Cognition: Introducing the Participatory Arts Play Framework 

N. Shaughnessy - World to Mind: 4E Cognition and 4P creativity as tools for mental health research 

S. Pani - Imagining the question: the epistemic role of non-linguistic inquisitiveness 

H. Tan -  A “Push” by any other name: Translanguaging Chekhov’s Psychological Gesture 

S. Fontana - Embodied Simulation in Sign Language Poetry: a cognitive approach to meaning making in LIS and Visual Vernacular 

L. Brunet - Cognitive semiotics applied to psychedelics heterogeneous uses and interpretations. 

D. Monasterio Lopez, J. Oyarzo Alvarado - Conceptual metaphors as epistemic tools in the narrative construction of psychedelic experience 

R. Walsh - Narrative Cognition, the Implicit, and Semiotic Environments

B. Nebesio - What Makes Cinema Poetic? A Cognitive Study 

M. Quadrato - Enframing Reality: The blurring line of image and reality in drone operations 

P. Piccirillo -  Cognitive scaffolding and artistic creation. Interfacing material enaction and digital generativity 

G. Versteegen  - Performing Courtly Love: Conversation and Literature in Fifteenth Century Spain 

L. Delaini - The Body Remembers: Habit and Virtue in Renaissance Memory and Martial Arts 

E. Suoranta - Affordances of “Algorithmic” Reading: What Hannu Rajaniemi’s Quantum Thief Trilogy Can Teach Us About Democracy 

R. Gambino, G. Pulvirenti - The Suspicious Reader: a Neurohermeneutical Approach to Literature 

R. Zavoianu Petrovici - Affordances in action – from intertextuality to aesthetic distance 

M. Musilová - Conductive Corporeal Tension. The ʻinvisibleʼ quality of the actor 

M. Adamova - Body as a Vehicle: Performers Body as a Mosaic of Idea Representations 

S. Havlíčková Kysová - Restoring VERTICALITY. Image Schemas as a Tool for Analysis of Contemporary Productions of Baroque Opera

V. Kostka - Multimodality, Conceptual Blending and Image Schema in Music 

S. Allegra - (De)scribed performances: a techno-aesthetic approach to musical notation 

B. Genco - Clanghenology: Introduction, Proposals, Perspectives 

E. Danzì - Em-Body Music: Body Percussion as a Crossmodal Cognitive Tool 

G. Pennisi - Disembodied Faces: Aesthetics and Psychopathology of the Uncanny through Artaud’s Portraits 

M. Calbi - The Material Agency of Face Masks: Face Masks and Facial Expressions. Shifting from the Gaze of the Onlooker to the Wearer's Experience 

S. Sartori, M. Calbi - The Material Agency of Face Masks: Mediating Body Ownership and Sense of Agency